Work of Anti-Art in the
Age of Artificial Reproduction
Sami Seppala's work investigates
the nuances of surveilance cameras through the use of
jumpcut motion and close-ups which emphasize the Artificial
nature of digital media.
Seppala explores abstract and wank scenery as motifs
to describe the idea of infinite hallucination.
Using splotge loops, cathode rays, and slow-motion images
as patterns, Seppala creates meditative environments
which suggest the expansion of space...
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